TABLE OF CONTENTS
Title page
Certification
Dedication
Acknowledgements
Table of contents
CHAPTER ONE
1.1 Introduction
1.2 The Concept of Aesthetics in the Osun Osogbo Festival
1.3 Purpose of study
1.4 Scope of study
1.5 Methodology
1.6 Justification
CHAPTER TWO
2.1 The concept of oral literature
2.2 The Origin of Osun Osogbo River
2.3 The Osun Festival
CHAPTER THREE
3.1 The Aesthetics in the Osun Osogbo Festival
3.1.1 Drums
3.1.2 Dance
3.1.3 Costumes
3.1.4 Music
3.1.5 Languages
3.2 Major Roles at The Osun Osogbo Festival.
3.2.1 The Ataoja (king)
3.2.2 The Iya osun (osun priestess)
3.2.3 The Arugba osun (osun bowl carrier)
3.2.4 The Aworo osun (osun priest)
3.2.5 The Audience
CHAPTER FOUR.
4.1 Importance of Osun Osogbo festival
4.2 Findings on the Osun Osogbo festival
CHAPTER FIVE
5.1 Summary
5.2 Conclusion
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(2013, 11). The Osun Osogbo Festival: Its Functions And Aesthetics.. ProjectStoc.com. Retrieved 11, 2013, from https://projectstoc.com/read/1883/the-osun-osogbo-festival-its-functions-and-aesthetics
"The Osun Osogbo Festival: Its Functions And Aesthetics." ProjectStoc.com. 11 2013. 2013. 11 2013 <https://projectstoc.com/read/1883/the-osun-osogbo-festival-its-functions-and-aesthetics>.
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"The Osun Osogbo Festival: Its Functions And Aesthetics.." ProjectStoc.com. 11, 2013. Accessed 11, 2013. https://projectstoc.com/read/1883/the-osun-osogbo-festival-its-functions-and-aesthetics.
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